新中国十七年文艺中的雷雨意象解读  

Interpretation of the Thunderstorm Image in the 17 Years’ Literature and Art of New China

作　　者：田蓉辉[1] TIAN Ronghui(Hunan Insitnte of Engineering, Xiangtan 411104, China)

机构地区：[1]湖南工程学院设计艺术学院

出　　处：《湖南工程学院学报（社会科学版）》2019年第3期35-38,共4页Journal of Hunan Institute of Engineering(Social Science Edition)

基　　金：教育部人文社会科学研究青年基金项目“新中国十七年文艺中的民间原型阐释”(15YJC760084);2017年湖南省哲社基金一般项目““红色经典”小说插图设计研究”(17YBA121);2018年湖南省社会科学成果评审委员会课题“新中国十七年小说(1949-1966)插图研究”(XSP18YBZ103);2017年湖南工程学院科研课题阶段性成果

摘　　要：从原型批评视角来审视新中国十七年文艺中的雷雨意象。雷雨作为十七年文艺中的主导性象征意象,配合历史巨变中新的时代语境,被赋予了意识形态的含义。在红色经典中,它是黑暗政治气候的暗示,是政治审判的先兆,在众声喧哗中构成“天罚天谴”的政治申讨,在新的语境中充满了强烈的时代气息与政治印记。这一“天象”的象征含义与民间百姓对雷雨的集体无意识认知存在某种潜在的共鸣。This paper examines the thunderstorm image in the seventeen years’ literature and art of new China from the perspective of archetypal criticism. In China,“Heaven” is a symbol. Thunderstorm, as the dominant symbolic image in the seventeen years’ literature and art, has been endowed with the meaning of ideology in line with the new era context in the great changes of history. Red classics is the hint of the dark political climate, the forerunner of political trial, and constitutes the political criticism of “heavenly punishment and scourge” in the noise of public voice. It is full of the strong atmosphere of the times and political imprint in the new context. The symbolic meaning of this “celestial phenomenon” has some potential resonance with the collective unconscious recognition of thunderstorms among the common people.

关 键 词：新中国十七年文艺 雷雨 意象 

分 类 号：J05[艺术—艺术理论]