文学批评:开放的解读及其边界  

Literary Criticism: an Open Interpretation and Its Boundaries

作　　者：南帆[1] Nan Fan

机构地区：[1]福建社会科学院

出　　处：《东南学术》2019年第5期87-98,248,共13页Southeast Academic Research

摘　　要：文学批评解读与作品表象之间的紧张恰恰是文学批评存在的理由之一。但是,20世纪文学批评往往使这种紧张演变为断裂。文学批评的解读仿佛与作品脱钩,批评家的观点击穿了认识作品的基本框架,作品的有机整体遭到割裂。作品有机整体概念的内涵与结构、抒情作品、叙事作品存在着莫大的关系,而20世纪文学批评的解构思想对于有机整体观念构成挑战。作品有机整体并非一个不可破除的屏障,重要的是新的解读必须阐述前所未有的理论内涵。足够的理论压强可能突破作品有机整体结构,这或许是文学批评必须接受的一个前提。The tension between interpretation of literary criticism and appearance of works is exactly one of the reasons for the existence of literary criticism. However, literary criticism in the 20th century tended to turn this tension into a fracture. The interpretation of literary criticism seemed to be decoupled from the related works. The critics’ views broke through the basic framework for understanding the works with its organic whole falling apart. The connotation of the organic whole concept is closely related to its structure in lyrical works or narrative works, and the deconstruction thought of literary criticism in the 20th century challenges the organic whole concept. The organic whole of works is not an unbreakable barrier, what is important is that the new interpretation must elaborate the unprecedented theoretical implications. Sufficient theoretical pressure may break through the organic whole structure of works, which may be a prerequisite that literary criticism must accept.

关 键 词：文学批评 作品有机整体 结构 抒情作品 叙事作品 解读 

分 类 号：I0-03[文学—文学理论]