论《乐记》之“感”  

“Gan” in Yue Ji

作　　者：杨合林[1] YANG Helin(College of Liberal Arts,Hunan Normal University,Changsha,Hunan 410081)

机构地区：[1]湖南师范大学文学院

出　　处：《中国文学研究》2019年第3期1-8,共8页Research of Chinese Literature

基　　金：国家社会科学基金重大项目“先秦乐学文献整理与研究”(17ZDA250)

摘　　要：“感”是古人认识到的世界万物存在与运行的基本方式,同时也是人与世界打交道的基本方式。《乐记》论“感”,始于论“乐”,归于“治道”,主要在文艺活动和社会治理两个层面展开。就文艺活动言,包括“感物生乐”和“感乐化人”;就社会治理言,包括“乐治”“慎感”及“审乐知政”。由此可知,“感”贯通于古人文艺活动和社会治理的全方位之中。在字义上,“感”出于“咸”,由“咬合”而“和合”,并演变为作为万物交流普遍形式之“感应”和人特有的心理反应方式之“情感”。《乐记》所论之“感”,深植于中国文化发生发展的沃土,是古人长期文学艺术活动的产物,属于典型的本土文论话语。“Gan”is the basic way of existence and operation of all things in the world recognized by the ancients,and it is also the basic one of dealing with the world. The theory of“Gan”begins with discussion of“Yue”and belongs to“Governance”,mainly in the aspects of literary and artistic activities and social governance. At the level of literary and artistic activities,it includes“producing Yue by feeling the matters”and “reclaiming human beings by feeling Yue”. At the level of social governance,it includes“YueZhi”,“feeling with prudence”and“learning politics by appreciating Yue”. It can be seen that“Gan”exists in the ancient literature and art activities and social governance in all directions. In terms of literal meaning,“Gan”comes from“Xian”,changing from“occlusion”to “combination.”Finally,it developed to “feeling”as a universal form of communication of all things and “emotion”as a unique psychological response of human beings.“Gan”mentioned in Yue Ji is deeply rooted in the fertile soil of the occurrence and development of Chinese culture. It is the product of the long-term literary and artistic activities of the ancients,and belongs to the typical native literary discourse.

关 键 词：《乐记》 "感" "乐" "治道" "咸" 

分 类 号：I206.2[文学—中国文学]