试论《乐记》之“象”  

“Xiang” in Yue Ji

作　　者：张绍时 ZHANG Shaoshi(College of Film and Television Arts and Cultural Communication,Changsha University,Changsha,Hunan 410022;Research Center of Chinese“YueXue”,Hunan Normal University,Changsha,Hunan 410081)

机构地区：[1]长沙学院影视艺术与文化传播学院 [2]湖南师范大学"中国乐学研究中心"

出　　处：《中国文学研究》2019年第3期19-24,共6页Research of Chinese Literature

基　　金：国家社会科学基金重大项目“先秦乐学文献整理与研究”(17ZDA250)

摘　　要：“象”在《乐记》中有着丰富的内涵,“气以成象”中的“象”是直观可感的审美形象(气象),“声者,乐之象也”中的“象”是乐的表现形态(声象),“乐者,所以象德也”中的“象”强调的是乐的伦理道德功能(乐象)。气象、声象、乐象等有关“象”的命题关涉到乐的发生、形态和功能,“象”在乐中相应地具有本体、媒介、功能等多重意义。从《易经》之卦符体系到《乐记》之声符体系的发展,也可视为“象”从哲学领域向文论领域的转化。《乐记》之“象”及相关命题对古代文论的“物感”说、“意象”论及重“德”思想都有重要影响。“Xiang”has the rich connotation in Yue Ji. The“Xiang”of“Qi forming Xiang”is an intuitive,sensible and aesthetic image. The“Xiang”in“Sounds,the Xiang of Yue”is the expression of Yue. The“Xiang”in“Yue,Xiang De”emphasizes the ethical function of Yue. These propositions containing “Xiang”relate to the performance,form,and function of Yue. The proposition of “Xiang”is related to the occurrence,form and function of Yue.“Xiang”has many meanings in music,such as the meaning of noumenon,media,function and so on. From the system of the Yi Jing to the development of the musical note system of Yue Ji,it can also be regarded as the transformation of“Xiang”from the philosophical field to the literary theory field. The“Xiang”and related propositions in Yue Ji have an important influence on the“perception of material”,“image theory”and“emphasis on morality”of ancient literary theory.

关 键 词：《乐记》 气象 声象 乐象 

分 类 号：I206.2[文学—中国文学]