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作 者:陈国恩[1] Chen Guoen
出 处:《广东社会科学》2019年第5期149-156,255,256,共10页Social Sciences in Guangdong
摘 要:中国新民主主义革命是一个现代性目标和阶级性路径相统一的历史过程。革命现代性作为它的政治表达,确立了无产阶级的正义标准。左翼据此向文学提出了革命功利性的要求,在规范了革命文学的同时,也得到了绝大多数革命作家基于无产阶级正义的广泛支持和拥护,推动了一场声势浩大的左翼文学运动。经历了一段历史曲折后,中国开始了改革开放,"正义"的边界有力扩张,包容了丰富的时代内容。这使历史上的左翼文学用来处理文学与政治、文学与人性等关系的原则在一些方面不再适合新时代要求。对左翼文学的评价必须坚持历史与审美相统一的原则,从革命现代性的历史演进的角度,用艺术与政治相统一的观点,去探讨它的经验教训。China’s new democracy revolution is a historical process which seeks to synthesise the goals of modernity with class nature.As a political term,"revolutionary modernity" set the standards of justice for the proletariat.Accordingly,leftists raised the question of the revolutionary utility of literature.At the same time as defining the genre of revolutionary literature,the leftists’ conception of proletarian justice acquired the approval and protection of the majority of the revolutionary authors.In this way,the leftwing literary movement was born.Having undergone a historical turn,China began its"Reform and 0-pening-up" policy.As a result of this policy,more diverse and contemporary ideas led to the expansion of the boundaries of justice.It became the responsibility of left wing literature to modify previously espoused values regarding the relationships between literature,politics and humanity in order to accommodate to the needs of the times.This essay argues for the importance of unifying our understanding of historical context and aesthetic value when critiquing left-wing literature of this period.Starting from the evolutionary process of revolutionary modernity,criticism must synthesise politics and art so that we might explore in greater depth the lessons learned during these times.
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