中国古代“乐和”观念之内涵及价值转换  

The Connotation and Value Transformation of Ancient China’s Concept of “Harmony in Music”

作　　者：陈松青[1] CHEN Songqing

机构地区：[1]湖南师范大学文学院

出　　处：《湖南师范大学社会科学学报》2019年第5期35-41,共7页Journal of Social Science of Hunan Normal University

基　　金：国家社会科学基金重大招标项目“先秦乐学文献整理与研究”(17ZDA250)

摘　　要：中国古代乐学,虽然内容繁复,但宏观地看,是一个在“天地神人”的整体观念下展开的理论体系。它认为“乐”是“天地”与“人心”交相感应的产物,“和”是“乐”的核心要素。其具体内涵表现为“神人之和”“人自身之和”与“治道之和”三个方面。中国古代儒家相信,通过乐学的教育,人类可以在精神信仰、物质生活、个体灵肉等方面达到圆融无碍的境地,从而实现“四海和定”的政治理想。与此相应,中国古代乐学在审美境界上推崇以“中和”为底蕴的“简易”“清明”与“广大”之美。我们应当运用传统乐学所具有的整体思维方式,吸收其思想内涵的合理成分,实现其价值的当代转换,最终建立具有当代意义的“乐学”学科。Yue is a branch of learning in ancient China, which is profound and complicated. In general, it was developed and evolved around the concept of “the unity of the nature, the gods and the humans”, which holds that “Yue” is the product of mutual induction between “nature” and “the will of the people”, with “harmony” at its core. It embodies the unified harmony of the heaven and the earthly world, the harmony of the gods and the humans, and the harmony of discipline and self-discipline. The ancient China Confucianists adovated that human beings can achieve chaste and sober state in spiritual faith, material life, and individual mind and body, by receiving the education of Yue, so as to realize the political ideal of peace and stability in the world. Appropriately, its highest goal is to achieve simplicity, clarity and immensity beauty based on the harmony. We should use the integral mode of thinking about the traditional Yue theory, absorbing the rational components of its ideological connotation. The connotation has been evolved and manifested in many aspects in the contemporary world. Finally, we can establish a contemporary branch of learning of Yue.

关 键 词：天地之和 中和 简易 价值转换 

分 类 号：B2[哲学宗教—中国哲学]