两副风景与双重自我的纠葛——论创造社作家的日本风景书写  

Two Sceneries and the Entanglement of Dual Selves——On the Japanese Scenery Writing by Writers in the Creation Society

作　　者：高强[1] GAO Qiang(School of Chinese Language and Literature, Southwest University, Chongqing 400715, China)

机构地区：[1]西南大学文学院

出　　处：《临沂大学学报》2019年第5期106-111,共6页Journal of Linyi University

摘　　要：日本风景书写是深入认识创造社作家身份观念的全新窗口。一方面,创造社作家赋予了日本风景强烈的政治涵义,通过对日本风景的鄙弃来抒发自己的政治怨愤情绪,弥救饱受戕害的国族身份;另一方面,创造社作家也在日本风景背后发现了优异的日本文化精神,因而日本风景变得优美迷人,此时的日本风景书写则指向了对日本文化精神的颂扬,以及对自我家国的审视批判。文化风景与政治风景是创造社作家笔下的两副日本风景面孔,它们分别与作家主体的文化自我与政治自我紧密相关。两副风景的交缠,使得创造社作家陷入了双重自我的纠葛之中。apanese scenery writing is a brand new perspective to further understand the identity concept of writers in the Creation Society. On the one hand, the writers endowed Japanese scenery with a strong political connotation, expressing their political resentment through their disdain for the scenery, and retaining the national identity that has suffered a lot. On the other hand, they also discovered the outstanding Japanese cultural spirit behind the scenery that seemingly becomes beautiful and charming to them. Therefore, the scenery writing turned to the subjects of praising the national cultural spirit and criticizing this country. The Japanese scenery in the depiction by writers in the Creation Society presents itself as both cultural scenery and political one. They are closely related respectively to the cultural self and political self of the writers. The intertwining of the two sceneries has plunged the writers in the Creation Society into the entanglement of double selves.

关 键 词：创造社 日本风景 文化自我 政治自我 身份认同 

分 类 号：I206.6[文学—中国文学]