帕慕克“文化杂合观”探析  

Analysis of Pamuk’s " Cultural Hybridity"

作　　者：高华[1,2] GAO Hua(College of Humanities and Law, Shandong University of Science and Technology, Qingdao 266590, China;School of Literature, Nankai University, Tianjin 300071, China)

机构地区：[1]山东科技大学文法学院 [2]南开大学文学院

出　　处：《河北科技大学学报（社会科学版）》2019年第3期72-77,共6页Journal of Hebei University of Science and Technology:Social Sciences

基　　金：青岛市社科规划办项目(QDSKL1601123)

摘　　要：帕慕克的创作一直秉持着“文化杂合”的观点,他试图在东西方文化的夹缝中为身份尴尬的土耳其寻找一条民族文化的出路,但是现实境遇的残酷,又迫使着他一次又一次地书写着“文化冲突”。面对复杂的国际、国内环境,帕慕克“文化杂合”的突围之路很难说不是一种乌托邦式的想象。对于土耳其来说,一路向西的欧盟之路行不通,转身朝东的“一带一路”倡议未尝不是死棋盘活的更好选择,这也许是纠缠帕慕克多年的“文化杂合”观的正解。Pamuk's creation has always adhered to the view of "cultural hybridity". He tried to find a way out for Turkey's national culture in the gap between eastern and western cultures. However, the cruelty of the real situation forced him to write "cultural conflict" again and again. Facing the complicated international and domestic environment, it is hard to say that Pamuk's breakthrough of "cultural hybridization" is not an utopian imagination. For Turkey, the road to the west of the European Union will not work. The Belt and Road Initiative that turns to east will not be a better choice. It may also be a positive solution to the concept of "cultural hybridity" which has been entangled by Pamuk for many years.

关 键 词：帕慕克 文化冲突 文化杂合 

分 类 号：I374.074[文学—其他各国文学]