国家认同路径下的虚假信息建构——林芙美子的南京大屠杀叙事  

False Information Construction under the Path of National Identity:Fumiko Hayashi’s Narration of Nanjing Massacre

作　　者：曾婷婷[1] 周异夫[1] Zeng Tingting;Zhou Yifu

机构地区：[1]吉林大学外国语学院

出　　处：《日本侵华南京大屠杀研究》2019年第3期17-27,138,139,共13页Journal of Japanese Invasion of China and Nanjing Massacre

基　　金：国家社科基金项目“近代日本女性作家的‘国家’认知研究”（17BWW031）的阶段性成果

摘　　要：林芙美子是第一个到达南京并见证南京大屠杀的唯一的日本女性作家。战争语境促成她超越生活的藩篱,僭越性别的低位。小说《黄鹤》成为其个人叙事转向国家叙事的触发器。她将对日本国家神道中历史神话的冥想嵌入南京的书写中,自发地完成了国家认同的心理路径,进而通过一系列置换手段,在哀婉、细腻、丰沛的文学文本中构建了虚假的信息模式,更在今天成为个别声音借以否定南京大屠杀的工具。历史性的解析应代替浅表性的主观阅读,内在的国家认同与外在的权力挟持不可同日而语,应以此为“窗口”窥南京大屠杀究竟如何在日本民众中失去了被记忆的可能。Fumiko Hayashi was the first and the only Japanese female writer who arrived in Nanjing and witnessed Nanjing Massacre.The context of war had enabled her to transcend the barriers of life and overstep the low gender status.The novel Yellow Crane has facilitated her to turn the personal narrative to the national narrative.While embedding her meditation of historical myths in Japanese national Shinto into the writing of Nanjing,she spontaneously completed the psychological path of national identity,and then further constructed a false information model in a mournful,delicate and rich literary text through a series of replacements.Today,it even has become a tool for some individual voices to deny Nanjing Massacre.The historical analysis should replace the superficial subjective reading,and the internal national identity cannot be compared with abduction of the external power.It should serve as a"window"to see how Nanjing Massacre lost its possibility of being memorized by the Japanese people.

关 键 词：日本作家 林芙美子 南京大屠杀 国家认同 《黄鹤》 

分 类 号：I313.074[文学—其他各国文学] K265.6[历史地理—历史学]