书影心声:论明末清初的杜诗书写——以八大山人、王铎的书杜为例  

On the Succession of Du Fu’s Poems in the Late Ming and Early Qing Dynasties——Taking Zhu Da and Wang Duo as an Example

作　　者：张家壮[1] ZHANG Jia-zhuang

机构地区：[1]福建师范大学文学院

出　　处：《杜甫研究学刊》2019年第3期31-41,共11页Journal of Du fu Studies

摘　　要：劫后馀生的明遗各类人等以种种方式表达着自己的生存状态,“以字画寄趣”即成为他们对其所处时代的反应、反省乃至批判的一种借径,而这一借径常常不约而同地回向了杜诗。宋元以来文人即有的借书杜之酒杯浇自己之块垒的行为,到了这时,以更加扩展的规模和更其激昂多变的形态构筑出了更丰饶多样的感性空间,这是杜诗在新时期新的历史情境中融入的新的生命形式。Survivals of the bygone Ming Dynasty expressed their own living conditions in various ways.“To express their interest in calligraphy and painting” has become a way for them to respond, reflect and even criticize the new era. This path often turns back to Du Fu’s poems. Since the Song and Yuan Dynasties, the literati have borrowed the words of Du Fu to build their own block. At this time, a more abundant and sensible space has been constructed with a more expanded scale. This is a new form of life that is incorporated into Du Fu’s poems in the new historical context.

关 键 词：明末清初 杜诗 因情敷“书” 自我解释 

分 类 号：I207.22[文学—中国文学]