狄金森诗歌中的修辞偏离及其审美惊奇效果  

Rhetoric Deviation in Emily Dickinson’s Poems and Its Aesthetic Appeal

作　　者：郭薇[1] 辛红娟[2] GUO Wei;XIN Hong-juan(School of Foreign Languages,Central South University,Changsha 410083,China;School of Foreign Languages,Ningbo University,Ningbo 315211,China)

机构地区：[1]中南大学外国语学院,湖南长沙410083 [2]宁波大学外国语学院,浙江宁波315211

出　　处：《南通大学学报（社会科学版）》2019年第5期87-93,共7页Journal of Nantong University:Social Sciences Edition

基　　金：国家社会科学基金项目“《道德经》在美国的译介与接受研究”（14BYY025）;湖南省哲学社会科学基金项目“比较哲学视阈下安乐哲《中庸》英译研究”（17YBA421）

摘　　要：艾米莉·狄金森诗歌中有悖传统的句法,形态各异的标点,富有个性的诗歌韵律等,使她在诗坛上别树一帜,自成风格。狄金森诗歌立足修辞偏离与审美惊奇体验,具有诗体形式偏离、诗歌语法偏离和诗歌意象偏离三个方面的创作特征,并由此产生令人读后“惊奇”的文学效果。狄金森诗歌对传统诗学的反拨,在阻滞人们对其诗歌接受的同时,也创造了巨大的诗歌审美张力,成为其诗歌历经时代淘洗而并未褪色的“抗腐剂”。Dickinson’s poems are unique for the era in which she wrote;they contain short lines,typically lack titles,and often use slant rhyme as well as unconventional capitalization and punctuation.This uniqueness prevented her poems from being acknowledged by her peers,yet the aesthetic possibility of reading it offers produces an everlasting charm of her poems,which makes the poems survive the times.

关 键 词：狄金森 诗歌 修辞偏离 审美惊奇 

分 类 号：I712.072[文学—其他各国文学]