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作 者:李志孝 陶维国 Li Zhixiao;Tao Weiguo(School of Chinese Literature & Cultural Communication,Tianshui Normal University,Tianshui Gansu 741001,China)
机构地区:[1]天水师范学院文学与文化传播学院
出 处:《天水师范学院学报》2019年第4期95-100,共6页Journal of Tianshui Normal University
基 金:2015年度教育部人文社科规划基金项目“新世纪文学与新文学传统”(15YJA751015)阶段性成果
摘 要:以新文学最重要的传统——“政治化”传统和“启蒙”传统为例,可以看到新世纪文学与新文学传统之间的传承与突破、延续与新变。在上世纪末期曾被质疑、责难与否弃的文学“政治化”传统,在新世纪的社会文化语境中,又一次“复返”,但并不是回到原来的老路上去,而是重建文学与政治之间的常态关系。“启蒙”也并未“终结”,因为现实仍存在启蒙的必要,文学也没有放弃启蒙的精神。只是新世纪文学中的“启蒙”与“五四”时期以及1980年代的“启蒙”已经有了很大的不同。不论是话语方式、文化态度,还是作家的叙事立场、叙事特征等,都大异于过去。一种“对话”和“创化”传统的局面正在形成。Taking the most important traditions of New Literature -“politicization”tradition and“enlightenment” tradition as examples, we can see the inheritance and breakthrough, continuation and new changes between the new century literature and the new literature tradition. In the social and cultural context of the new century, the tradition of“politicization”of literature, which was questioned, censured or rejected at the end of the last century, has once again returned, but not to the old road, but to rebuild the normal relationship between literature and politics.“En. lightenment”is not“end”, because there is still the need for enlightenment in reality, and literature has not given up the spirit of enlightenment. But the“enlightenment”in the literature of the new century is quite different from the“May 4th”period and the“enlightenment”in the 1980s. Whether it is the way of discourse, cultural attitude, or the writer’s narrative standpoint, narrative characteristics, etc., are quite different from the past. A situation of“dia. logue”and“creative”tradition is taking shape.
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