李商隐的民族观与元代清代少数民族诗人的义山接受  

LI Shangyin’s View on Ethnicity and the Acceptance of His Works by Minority Poets in the Yuan & Qing Dynasty

作　　者：米彦青[1] MI Yan-qing(School of Literature arul Journalism, Inner Mongolia University, Hohhot 010021 , China)

机构地区：[1]内蒙古大学文学与新闻传播学院

出　　处：《内蒙古大学学报（哲学社会科学版）》2019年第5期5-12,共8页Journal of Inner Mongolia University(Philosophy and Social Sciences)

基　　金：国家社科基金重大项目(项目批准号:16ZDA176)

摘　　要：唐王朝与周边民族战事不断,关心国政的唐代诗人大都写有民族问题、疆域问题或社会民俗变化的诗作。晚唐著名诗人李商隐,在唐王朝王权削弱、胡汉对立的动荡局势中,持攘夷尊王的民族观。元诗清诗创作受唐诗影响极大,李商隐作为有着独特诗歌美学的唐代诗人,深刻地影响了元代少数民族诗人和清代蒙古族诗人的创作。就此可以看出,随着时代变迁,“夷夏之辨”的内容在发生变化,而中华文学史上的诗人跨民族的诗歌美学接受,以及中华文化传统却是一脉相承的。During Tang Dynasty, the fight with the surrounding ethnic groups wascontinuous. The poets in that period concerned about state affairs wrote most of their poems on issues of ethnicity, territory, or changes of social folklore. In a period that the power of the monarch was weakened and in the turbulent situation that Han and Hu opposed each other,the renowned poet of that time LI Shangyin held a national view that condemned the intrusion of ethnic groups. Yuan & Qing poetry creation were influenced greatly by Tang poetry, As a famous Tang Dynasty poet with unique aesthetics of poetry, Li Shangyin zs works had a great influence on the poetry creation of minority poets in Yuan Dynasty and poets from Mongolian minority in Qing Dynasty. Over times, the debate of Chinese and foreign cultures has changed, but the acceptance of aesthetics of poetry cross ethnicity has not changed, so as the succession of traditional Chinese cultural.

关 键 词：李商隐 民族观 华夷之辨 蒙古族 诗歌接受 

分 类 号：I206.2[文学—中国文学]