技术文明视角下的启蒙重审——谈韩松科幻小说  

Reexaming Enlightenment from the Perspective of Technological Civilization:On Han Song’s Science Fictions

作　　者：詹玲[1] Zhan Ling

机构地区：[1]杭州师范大学人文学院中文系

出　　处：《中国文学批评》2019年第4期141-148,160,共9页Chinese Journal of Literary Criticism

基　　金：国家社科基金项目“中国当代科幻小说转型研究”（批准号16BZW026）阶段性成果

摘　　要：从以西方存在主义思想为镜想象未来,到爬梳民族文明史推演未来,再到用未来侵入现实的方式镜像当下,韩松的科幻创作始终以技术文明下的人的生存为中心。《2066之西行漫记》与《红色海洋》将技术进步与人的解放解绑,重新发见启蒙的价值;之后的“地铁”与“医院”系列则通过对“序间状态”社会人的自我认同危机及“封建现代化”的时代症候描摹,再度预警国民性问题。然而,由于缺乏具有整合性力量的思想的支撑,韩松的作品与许多其他主流文学作品一样受到价值虚无的困扰,未能从更为宏阔的层面为启蒙寻找新的征程。From imagining the future in the mirror of Western existentialism to combing through the history of national civilization and predicting the future,and then to mirroring the present in the way that the future intrudes into reality,Han Song’s science fiction writing always centers on the survival of human beings under the technological civilization. "2066:Red Star over America " and "Red Ocean" unbound technological progress from human liberation and rediscover the value of enlightenment;subsequently,the "subway " and "hospital" series once again make an early warning of the issues of national character by describing the crisis of self-identity of people in the "inter-ordinal state" society and the symptoms of the "feudal modernization" era.However,due to the lack of the support of the thought which possess the power of integration,Han Song’s works,like many other mainstream literary works,are plagued by the value nihilism and fail to find a new path for enlightenment from a broader perspective.

关 键 词：技术文明 存在主义 启蒙 自我认同 

分 类 号：I20[文学—中国文学]