思想史视阈下的“赋者古诗之流”  

Fu as an Inheritance of Ancient Poetry From the Perspective of the History of Thoughts

作　　者：蒋晓光[1] JIANG Xiao-guang(College of Hurnanities,Huaqiao University,Quanzhou,Fujian 362021,China)

机构地区：[1]华侨大学文学院

出　　处：《四川师范大学学报（社会科学版）》2019年第6期127-134,共8页Journal of Sichuan Normal University(Social Sciences Edition)

基　　金：国家社科基金重大项目“辞赋艺术文献整理与研究”(17ZDA249,南京大学许结教授主持);国家社科基金青年项目“汉代礼制与赋体文学关系研究”(15CZW032);华侨大学华侨华人研究专项课题“华文文献学的构建与实践”(HQHRZD2019-01)的阶段性成果

摘　　要：《两都赋序》首以“赋者古诗之流”为辞,对应两汉之际流行的“周苍汉赤”、“大汉继周”等观念,实是包含“汉赋”继承、取代“周诗”的企图,建立在新五德终始学说基础之上。贬斥赋体品格、质疑洛阳地位的思潮在东汉前期影响甚巨,班固以“古诗之流”为依据,在《两都赋》中设置独特的文章结构,变“诗可以观”为“赋可以观”,实现赋观风俗、推尊洛阳的目的。“观”有“多”的义项,“物多而后可观”、“示于人必多于人”,从侧面为赋之骋辞博物的修辞手段寻找到了存在的合理性。班固视汉赋为“礼-文”的集合体,其以“汉赋”取代“周诗”,确立“大汉文章”的地位,再通过《两都赋》议礼,进而制礼,这是“三王不同礼,五帝不同乐”思想的体现,汉赋成为新时代、新礼乐的象征。The Prolog of Liangdu Fu starts from the statement that Fu originates from ancient poetry, corresponding to the popular concepts of the two Han dynasties, which actually indicates that Fu of the Han Dynasty originates and will replace ancient poetry, based on the new Five Morality doctrines. Since Fu and the status of Luoyang are degraded in the early period of the Eastern Han Dynasty, Ban Gu, based on the belief that Fu is the inheritance of ancient poetry, set a unique article structure in Liangdu Fu and changed the idea that "poetry can be viewed" into "Fu can be viewed", to achieve the purpose of using Fu to keep a record and raising Luoyang’s status. Ban Gu regards Fu as a combination of ritual and literature, replacing the status of ancient poetry, and thus establishes the status of Fu in the Han Dynasty. Fu, from then on, gradually becomes the symbol of new rituals and music, as well as the new era.

关 键 词：班固 《两都赋序》 古诗之流 新礼乐 

分 类 号：I206.2[文学—中国文学]