热瓦克佛寺雕塑综考  

Study on the Rewak Buddha Temple Sculpture

作　　者：张健波[1] ZHANG Jianbo

机构地区：[1]新疆艺术学院美术系

出　　处：《艺术探索》2019年第6期71-84,共14页Arts Exploration

基　　金：新疆艺术学院美术学重点学科重点项目“丝绸之路南道佛教壁画的构图学研究”（2018MSXZDXKE[Z]）

摘　　要：热瓦克佛寺的营造法式,空间结构及其塔、像并重的布局与犍陀罗有密切关系,其方形院落的围墙内外两面装饰有巨大的灰泥塑像。热瓦克龛下立佛的形式来源于大夏艺术,造像风格则受到秣菟罗和犍陀罗造像的共同影响,佛像的头光、施无畏印和磨光式发髻造型延续了秣菟罗造像的传统。热瓦克佛寺雕塑对于新疆早期佛教艺术的源流等问题具有重要意义。The construction method of the Rewak Buddha Temple,the spatial structure,the layout of the towers and sculptures that lay equal stress on both that are closely related to the Gandhara.The walls of the square courtyard are decorated with huge stucco sculpture on both sides.The form that the Buddha was placed under Rewak niche is derived from the art of Daxia Kingdom,and the style of the sculpture is influenced by the Mathura and the Gandhara.The head,the fearless finger gesture and the polished hairpin of the Buddha image extend the Mathura tradition.The sculpture of the Rewak Buddha Temple is of great significance to the origin of the early Buddhist art in Xinjiang Uygur Autonomous Region.

关 键 词：热瓦克 立佛雕塑 犍陀罗造像 秣菟罗造像 磨光式发髻 

分 类 号：J19[艺术—艺术理论]