《夏伯阳与虚空》的经典性与大众性  

An Analysis of the Popularity and Classicality of the Novel Chapaev and the Void

作　　者：郑晓婷[1] ZHENG Xiaoting(School of Foreign Languages,Capital Normal University,Beijing 100089,China)

机构地区：[1]首都师范大学外国语学院

出　　处：《安徽广播电视大学学报》2019年第4期81-84,共4页Journal of Anhui Radio & TV University

摘　　要：佩列文的长篇小说《夏伯阳与虚空》诞生于俄罗斯后现代主义由“热”转“冷”的时期,却是促使佩列文进入“经典作家”行列的重要作品。小说《夏伯阳与虚空》是经典性与大众性的融合,体现出作家对待俄罗斯文学传统的态度,也在一定程度上反映出俄罗斯后现代主义文学的发展倾向。Pelevin’s novel Chapaev and Void(1996)was born in the period of Russian postmodernism from“hot”to“cold”,and it was an important work that promoted Pelevin to enter the ranks of“classical writers”.The novel is a fusion of classicality and popularity,which reflects the writer’s dual attitude towards Russian literary tradition,and to some extent reflects the development tendency of Russian postmodern literature.

关 键 词：佩列文 《夏伯阳与虚空》 大众性 经典性 

分 类 号：I512.072[文学—其他各国文学]