当代青年的新个人主义——从《哪吒之魔童降世》谈起  

The Neo-individualism of Contemporary Youth:A Review of Nezha:Birth of the Demon Child

作　　者：陶庆梅[1] Tao Qingmei

机构地区：[1]中国社会科学院文学研究所

出　　处：《文化纵横》2019年第6期25-32,共8页

摘　　要：2019年的《哪吒之魔童降世》(下文简称《哪吒》)绝对是一部现象级的电影。它首先挤下《复联4》,成功让中国制作、体制外投资的电影作品完美占据中国电影票房前三甲。很快,这部动画电影又以接近50亿的票房,替代了2019年初刚刚掀起科幻热潮的《流浪地球》,晋级排行第二。By analyzing the social and cultural psychology behind the success of Chinese cartoons such as Zezha,the author argues that an emerging "neo-individualism" rather than nationalism is shaping the relation between the young generation and the nation/state.It is imperative to rebuild a new community awareness to cope with the global challenges ahead.

关 键 词：国漫崛起 个人主义 共同体 

分 类 号：J90[艺术—电影电视艺术]