论《押沙龙，押沙龙!》的单向度性和审美乌托邦思想  

On the "One-dimensional" Feature and Aesthetic Utopia of Absalom,Absalom!

作　　者：张玉婷 ZHANG Yuting(School of English,Beijing Foreign Studies University,Beijing,100089)

机构地区：[1]北京外国语大学英语学院

出　　处：《成都大学学报（社会科学版）》2019年第6期61-69,共9页Journal of Chengdu University (Social Sciences)

基　　金：中央高校基本科研业务费专项资金“威廉·福克纳速度文化表征与地方想象”(项目编号:2019JX047)

摘　　要：福克纳的经典力作《押沙龙,押沙龙!》表面上一直被公认为是探查旧南方历史和种植园贵族兴衰史的小说。但事实上,早在斯诺普斯家族故事成形以前,萨德本家族就已经表现出了超前的资本主义单向度性。福克纳在文本内通过诉诸文学的审美形式和乌托邦的想象功能拆解了虚构的单向度社会,实现了对现实生活中压抑人性的资本主义意识形态的抵抗和超越。Faulkner's masterpiece Absalom,Absalom!has been generally regarded as centering around the “Old South”history and the rise and fall of the plantation aristocracy.In effect,the Sutpen family has displayed the capitalist “one-dimensional” feature long before the Snopes stories.With the aesthetic form and imaginative function of Utopia,Faulkner deliberately deconstructs the fictive one-dimensional society in the text.In this way,he fulfills the resistance and transcendence against the dehumanizing capitalist ideology in the real world.

关 键 词：福克纳 《押沙龙 押沙龙》 单向度性 审美乌托邦 意识形态批评 

分 类 号：I712.074[文学—其他各国文学]