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作 者:周春雨 ZHOU Chun-yu(College of Literature,Harbin Normal University,Harbin 150025,China)
机构地区:[1]哈尔滨师范大学文学院
出 处:《青岛农业大学学报(社会科学版)》2019年第4期60-64,共5页Journal of Qingdao Agricultural University(Social Science)
摘 要:严羽的“妙悟”说与柏格森的“直觉”论都是各自的诗学体系的核心。二人处于不同的时代,他们却面临着相似的困境,均是需要运用“感性思维”来补充“理性思维”的不足。通过对比二人认识方法的异同,探寻二者作为认识直接材料“兴趣”与“绵延”的内蕴,可以发现严羽诗学呈现出独特的禅学思辨性和中国文化重视“和”、“气”等范畴的特点。二者诗学合大于异,更多的是在各自不同的角度论述诗的审美特性和创作中直觉的问题。最终,二人的理论共同指向了对情感与生命的观照。Yan Yu’s Perspicacity Theory and Bergson’s Intuition Theory is the core of their respective poetry systems.Although they are in different eras,they face the similar dilemmas which both need to use“intuition”to supplement“rationality”.By comparing the similarities and differences between the two methods of understanding,and exploring the intrinsic content of the two materials as“interest”and“longevity”,it can be found that Yan Yu’s poetics presents a unique speculation of Chan and the importance to“harmony”and“qi”that Chinese culture attaches.The poetics similarity of the two is greater than the difference,which is more to discuss the aesthetic characteristics of poetry and the intuition in creation from different perspectives.In the end,both theories of the two point to the concern of emotion and life.
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