论明清戏曲中的红拂故事  

On the Story of Red Dragonfly in the Drama of Ming and Qing Dynasties

作　　者：史春燕[1] SHI Chun-yan(Xuzhou University of Technology,Xuzhou,Jiangsu 221018,China)

机构地区：[1]徐州工程学院

出　　处：《教育教学论坛》2019年第50期90-92,共3页Education And Teaching Forum

基　　金：江苏省教育厅高校哲学社会科学研究基金指导项目“张凤翼曲作研究”（2014SJD456）

摘　　要：红拂这一题材始见于唐代小说《虬髯客传》,明清剧作家结合个人情志和所处的特定生活背景对其进行了敷演、改编,传奇杂剧迭出。作品中的主要人物形象红拂女以及在其身上不断凸显的女性意识使得红拂这一题材具有历史横截面上的反复塑造性和阐发性。The theme of Hung Hom was first seen in the Tang novel "The Story of the Hacker".The playwrights of the Ming and Qing Dynasties combined and adapted their personal emotions and specific life backgrounds,and the legendary dramas were repeated.The main characters in the works,the red niece and the female consciousness that is constantly prominent in it,make the subject of Hung Hom a repetitive and expansive in the historical cross section.

关 键 词：红拂 明清戏曲 题材流变 

分 类 号：I207.37[文学—中国文学]