《管家》中的个体与共同体  

Individual and Community in Housekeeping

作　　者：胡碧媛[1] Hu Biyuan(Hohai University,Nanjing 210098,China)

机构地区：[1]河海大学外国语学院

出　　处：《外国文学研究》2019年第6期121-130,共10页Foreign Literature Studies

基　　金：教育部人文社会科学研究规划基金“玛丽莲·罗宾逊小说的共同体诗学研究”(18YJA752004);江苏省社会科学基金一般项目“美国西南文学边界主题研究(1980—2010)”(18WWB005)~~

摘　　要：共同体叙事的争议焦点在于共同体的"共同性"如何协调个体的差异性。美国女作家玛丽莲·罗宾逊的小说《管家》被誉为当代新经典,学界主流评价重在分析作品的女性主体性却忽视了对小说共同体与个体关系模式的探究。罗宾逊的《管家》叙事立足白人主流阶层的文化逻辑,从血缘、地缘等内部属性出发,强调共同性建构的精神现实。小说以女性化的个体书写批判同质化、标准化的压制性话语,但并不排斥将个人历史置于民族建构的语境之中,在叙事层面展现审慎的共同体建构与解构之思,再现包容异质性的共同体文学虚构。The key issue in the controversy concerning community narrative is how commonality coordinates with individuality. The novel Housekeeping by Marilynne Robinson, an American novelist and essayist, is hailed as a new addition to the contemporary literary canon. The mainstream literary criticism stresses feminine subjectivity, but neglects the exploration of the relation mode between community and individuals. Based on the cultural logic of the mainstream white race, the narrative in Robinson’s Housekeeping starts from internal attributes like bloodline and locality and puts an emphasis on the spiritual reality in constructing community. Meanwhile, the novel critiques the oppressive discourse of homogeneity and standardization in community through a writing of femine individuality without the denial of self-placement in national construct. What her narrative demonstrates is a careful consideration over the construction and deconstruction of community and a representation of a fictionalized community that accommodates heterogeneity.

关 键 词：玛丽莲·罗宾逊 《管家》 共同体 个体 同质化 

分 类 号：I712.074[文学—其他各国文学]