跨文化研究视野中的中国“生生”美学  

Chinese aesthetics of “Creating Life” in the perspective of cross-cultural research

作　　者：曾繁仁[1] Zeng Fanren

机构地区：[1]山东大学文艺美学研究中心

出　　处：《东岳论丛》2020年第1期98-108,191,192,共13页DongYue Tribune

基　　金：2016年国家社科基金重大项目“生态美学文献整理与研究”(16ZDA111)阶段性成果

摘　　要：本文从跨文化对话的视角,在文化类型说的基础上,分析欧陆现象学之生态美学、英美分析哲学之环境美学之得失。在此基础上,提出了中国"生生"美学,作为当代生态美学之一翼。20世纪90年代中期以来,西方环境美学逐步介绍到中国,影响深远。在当代生态美学发展中,"生态"与"环境"之争持续多年,中西美学由此得到对话与交流,中国传统"天人合一"的生态文化之"原生性"特点也由此得以突显。由此深化了产生于《周易》的"生生美学"之"生命的创生"的丰富内涵。本文阐释了"生生美学"所特具的"天人合一""阴阳相生""太极图式"与"线性艺术"的中国作风与中国气派,其特有的道德理性与知白守黑的逻辑特性。"生生美学"特别体现在各种中国传统艺术之中,表现于意境、筋血骨肉、琴德、气韵生动、虚拟表演、因借与吉祥安康等传统艺术范畴之中。Based on the theory of culture types,this paper analyzes the gains and losses achieved by ecological aesthetics of European phenomenology and environmental aesthetics of UK and US analytical philosophy from the per-spective of cross-cultural dialogue.On this basis,the paper put forward Chinese aesthetics of“creating life”asone kind of the contemporary ecological aesthetics.Since mid-1990s,Western environmental aesthetics has been introduced to China gradually and has had a profound impact.In the development of contemporary ecologi-cal aesthetics,the dispute between the“ecological”and the“environmental”has been going on for many years.As a result,Chinese and Western aesthetics have made many dialogues and conversations,meanwhile,the“originality”of traditional Chinese ecological culture which advocates the“harmony between man and nature”has also been highlighted,thus enriched the connotation of“the creation of life”promoted by the aesthetics of“creating life”in The Book of Changes.The paper interprets the Chinese way and Chinese style and the unique moral rationality and the logical characteristics included in the aesthetics of“creating life”.The aesthetics of“creating life”is especially reflected in various traditional Chinese arts and categories of traditional art.

关 键 词：跨文化 类型说 生生美学 原生性 天人合一 

分 类 号：B262[哲学宗教—中国哲学]