中国电影中婚恋伦理的代际嬗变  

The Intergenerational Evolution of Marriage Ethics in Chinese Movies

作　　者：贾冀川[1] 王春晓 Jia Jichuan;Wang Chunxiao

机构地区：[1]南京师范大学文学院

出　　处：《江苏社会科学》2020年第1期203-210,I0005,共9页Jiangsu Social Sciences

摘　　要：在百余年来的中国电影发展史上,从对封建婚姻制度的批判、对"革命+恋爱"二元结构的探索、对爱情与婚姻政治化的审视,到对现代婚恋问题的思索、对自由恋爱的勇敢表达以及新世纪对多元化婚恋倾向的选择,中国电影中婚恋伦理的代际嬗变反映出几代中国电影人对理想婚恋模式的艰辛探寻,再现了中国人对婚恋幸福不懈追求的足迹,亦折射出一百多年来中国不同时代的思想变革和社会价值观的曲折走向,中国电影亦由此呈现出鲜明的代际风格与时代特征。In the history of Chinese film development for more than 100 years, from the criticism of the feudalmarriage system, the exploration of the dual structure of"revolution + love"and the review of the politi-cization of love and marriage, to the reflection on the problems of modern marriage and relationships,the courageous expression of romantic love and the choice of a tendency of diversified marriage and rela-tionships in the new century, the intergenerational evolution of marriage ethics in Chinese movies re-flects the arduous exploration of an ideal model of marriage and relationships by several generations ofChinese filmmakers and reproduces the relentless pursuit of marriage and happiness by the Chinesepeople, reflecting both ideological changes and the tortuous trend of social values in different eras inChina for over 100 years, and Chinese films have thus displayed distinctive intergenerational styles andcharacteristics.

关 键 词：中国电影 婚恋伦理 革命+恋爱 《红高粱》 

分 类 号：J905[艺术—电影电视艺术] B823[哲学宗教—伦理学]