《修道士》——一种身体写作的尝试  

The Monk: A Trying of Body Writing

作　　者：李会芳 LI Huifang(School of Foreign Studies,Hebei Normal University,Shijiazhuang,Hebei 050024,China)

机构地区：[1]河北师范大学外国语学院

出　　处：《河北师范大学学报（哲学社会科学版）》2020年第2期133-140,共8页Journal of Hebei Normal University(Philosophy and Social Sciences)

基　　金：河北省社会科学规划项目“文化诗学视野下的哥特小说研究”(项目编号:HB2009G11);河北师范大学重点项目“哥特小说的文化解读”(项目编号:W2009z08)

摘　　要：马修·刘易斯的《修道士》是英国哥特小说的经典作品,惊悚刺激的内容和感性大胆的笔触使得这部小说自诞生之日起就饱受争议,但正是这种贯穿全文的身体欲望和感性逻辑使其具有了身体写作的根本特征,具体表现为:形形色色的身体展示及其背后的身体逻辑;明显的私人写作的痕迹;极富感染力的感性语言以及欲望驱动下的叙事手法。As one of the classics of British gothic fiction,The Monk by Matthew Lewis has aroused heated controversy among its contemporary critics since its first issuance due to its sensational story and bold narration.However,his expression of overwhelming physical desire and use of irrational logic endowed the work with a strong sense of“Body Writing”which could be analyzed from three perspectives--the first its abundant body exhibition and a physical logic behind it,the second a clear trace of private writing,and the third its sensual language and desire narrative.

关 键 词：哥特小说 《修道士》 身体写作 身体逻辑 欲望叙事 

分 类 号：I106.4[文学—世界文学]