仪式与文本之间——论《诗经》的经典化及相关问题  

Between Ritual and Text —— On the Classicalization of The Book of Songs and Related Issues

作　　者：李辉[1] 林甸甸[2] 马银琴 LI Hui;LIN Diandian;MA Yinqin(The Research Center of Chinese Poetry,Capital Normal University,Beijing,China 100089;Institute of Literature,Chinese Academy of Social Sciences,Beijing,China 100732;School of Humanities,Tsinghua University,Beijing,China 100084)

机构地区：[1]首都师范大学中国诗歌研究中心,北京100089 [2]中国社会科学院文学研究所,北京100732 [3]清华大学人文学院,北京100084

出　　处：《温州大学学报（社会科学版）》2020年第1期50-61,共12页Journal of Wenzhou University：Social Science Edition

基　　金：国家社会科学基金青年项目(16CZW015)

摘　　要：《诗》是周代典礼仪式上用于歌唱的歌辞文本。周代仪式乐歌的文本内容与仪式中的话语要素存在密切的互文关系。随着周代礼乐制度的发展,颂、雅、风不同诗体的创制、乐用机制及其与仪式的关系也有变迁。《诗》的流传存在于两个系统,即乐官群体所用的、其内容和功能以服务于具体乐用为主的"乐本"系统和周贵族"诗教"所用、偏重于礼乐德义教育的文本系统,而后者正是《诗》的经典性主要动力来源。The Book of Songs is the text of songs used for singing in the ceremony in the Zhou Dynasty. There is a close intertextual relationship between the text content of ritual songs of the Zhou Dynasty and the utterance elements of the ritual. With the development of the ritual and music system in the Zhou Dynasty, the composition and singing of different poetic styles of Song, Ya and Feng and their relationships with the ritual also change. There are two systems for the circulation of poems. One is the "music text" system used by musician groups, whose content mainly serves specific singing. The other is the text system for poetry teaching, emphasizing the education of ritual-music and morality, which is the main drive for the classicalization of The Book of Songs.

关 键 词：《诗经》 仪式 文本 经典化 

分 类 号：I206.2[文学—中国文学]