论神话文图传统——以女娲神话的图像书写为例  

The Study of Textual and Iconographic Tradition of Myth——Taking the Graphic Writing of the Nuwa as an Example

作　　者：熊良智[1] 王志翔 XIONG Liang-zhi;WANG Zhi-xiang(College of Chinese Language and Literature,Sichuan Normal University,Chengdu,Sichuan,610066,PRC)

机构地区：[1]四川师范大学文学院

出　　处：《西北师大学报（社会科学版）》2020年第2期27-35,共9页Journal of Northwest Normal University(Social Sciences)

摘　　要：图像与中国文学联系紧密,如祥瑞形象、帝王事迹、列女义士的故事等,皆可通过图像与文本来展示。中国神话同样如此。考察女娲身形、女娲之名、女娲之肠等神话文本与彩陶、画像石等载体上的相关神话图像,则会发现神话图像亦是中国神话传承的一种重要方式。时间上起源于史前艺术、空间上被传播至中国各地的神话图像,与神话文本一起促成了女娲神话的经典化。以女娲神话为例,对女娲神话的文图传统进行考证,有助于我们更加深入地认识女娲神话,重新思考早期神话的起源演变与传承传播,对今日的神话研究具有重要意义。A study of Images is one of the research hot topics in recent years.The images and Chinese literature has been closely related.For example,the auspicious images,the images of emperors,and the stories of the righteous ladies are all in the texts and pictures.The same is true of Chinese mythology.By combining the mythological texts of Nuwa’s image and name,and the related mythological images in painted pottery and paintings in Han Dynasty,it can be seen that mythological images have inherited the Chinese mythology.The mythological images originated in prehistoric and spread to different places,contributed to the canonization of Nuwa mythology together with the mythological text.Rethinking about the early mythology will help us understand its origin,evolution,inheritance and dissemination,which is very significant to the current research on myths.

关 键 词：神话 图像 女娲 彩陶 文图传统 

分 类 号：I207.73[文学—中国文学]