“花非花 雾非雾”——论《空有玉貌》中的游戏性  

The Playfulness in"L'Inuitile Beauté"Of Maupassant

作　　者：李冉[1] 季明举[1] LI Ran;JI Ming-jv(Foreign Languages College of Qufu Normal University,Qufu,Shandong 273165)

机构地区：[1]曲阜师范大学外国语学院,山东曲阜273165

出　　处：《牡丹江大学学报》2020年第3期43-47,共5页Journal of Mudanjiang University

摘　　要：莫泊桑作品的游戏性不仅体现在读者对作品的阅读阐释中,也暗藏在莫泊桑的写作技巧中。在《空有玉貌》这部短篇小说中,作者意图与读者阐释之间存在着张力,其游戏性的表现也更为明显。本文通过分析《空有玉貌》中的博弈游戏,即夫妻间肢体与语言的实质性角逐和真相与谎言之间的智力角逐,来探析读者文学阅读结果与作者写作期待之间的预设博弈游戏,以期更好地说明莫泊桑作品中的游戏性。The playfulness in the works of Maupassant not only embodies the Readers'interpretation of the works,but also reflects the writer’s writing skills.In the short story"L’Inuitile Beauté",the playfulness is also more obvious with the tension between the author's intention and the reader's interpretation.In order to illustrate the playfulness in Maupassant’s works,this paper analyzes the game in the"L’Inuitile Beauté",that is the confrontation of body and language,the contest between truth and lies and the presupposition game between the result of reader’s literature reading and the author's writing expectation.

关 键 词：莫泊桑 游戏性 父权 母性 

分 类 号：I106.4[文学—世界文学]