《诗人》  

The Poet

作　　者：爱艺(译) 

机构地区：[1]不详

出　　处：《英语世界》2020年第2期73-74,F0004,共3页The World of English

摘　　要：夏加尔在为马津画的小幅肖像习作中以一定形式表达了某种意义,而其目的则通过《诗人》(布面油画,197厘米×146厘米,1911—1912年)一画得到彰显,令人惊讶。在构图的基本特征和对人物的塑造上,该画遵循了马津肖像习作,但在平面的构建、形式的透明性和对所描绘物质的碎片式分析上,它与前者完全不同。就好像夏加尔是在追随画肖像时产生的灵感,他剥去了自然图案外在的形式,故意暴露出图案底层的构造。What Chagall was aiming at in meaning and form in the little portrait study of Mazin is made surprisingly evident by The Poet(oil on canvas,197 cm × 146 cm,1911-12).In the basic features of the composition and the buildup of the figure it follows the Mazin portrait study,but in the construction of the plane,the transparency of forms,and the fragmented analysis of the material things depicted,it is totally different.It is as though the artist,proceeding from the suggestions which occurred to him while painting the portrait,had stripped the skin off the natural motif and deliberately exposed the underlying construction.

关 键 词：布面油画 夏加尔 碎片式 透明性 习作 肖像 形式表达 

分 类 号：G62[文化科学—教育学]