文艺反映论、艺术生产论、审美实践论——中国马克思主义文论的三维结构  

Reflection Theory of Literature and Art,Production Theory of Art,Practice Theory of the Aesthetic:the Three-dimensional Structure of Chinese Marxist Literary Theory

作　　者：金永兵[1] Jin Yongbing

机构地区：[1]北京大学中文系,北京100871

出　　处：《中国高校社会科学》2020年第2期80-89,159,共11页Social Sciences in Chinese Higher Education Institutions

基　　金：国家社科基金重大项目“马克思主义文学理论关键词及当代意义研究”(18ZDA275)阶段性成果。

摘　　要：在长期的中国马克思主义文论的讨论和建设中,逐渐形成一种三维结构:文艺反映论、艺术生产论、审美实践论。它们在理论史上虽表现出阶段性特征,理论旨趣也各有胜场和侧重,但三者之间的关系并非绝对对立,而是互相阐释、互为基础的辩证关系。其内在理路实则是在不同语境下不断揭示、凸显马克思主义文论的不同侧面,从这个意义上讲,中国的马克思主义文论史不是以一种马克思主义反对另一种马克思主义的历史,而是马克思主义文论的不同侧面不断被发现的历史。在不同时期对不同维度的强调,应被视为在特定时代的问题意识下,某一维度恰好被作为特定矛盾的主导要素的表现。随着历史语境的变化,三维结构的重点必然要不断发生变化,因此强调中国马克思主义文论的三维结构实则就是在强调和维护马克思主义文论唯物、辩证和历史的特征。A certain three-dimensional structure has emerged from sustained debates and developments of Chinese Marxist literary theory: reflection theory of literature and art, production theory of art, and practice theory of the aesthetic. While their historical characteristics as theory and theoretical concerns with respective merits and focuses, the relations among them are not that of absolute oppositions, but dialectical relations of the mutually-elucidating and the reciprocally-founding. The barycenter of the three-dimensional structure varies inevitably with changes in its historical context. Therefore, to emphasize the three-dimensional structure of Chinese Marxist literary theory is to emphasize and preserve Marxist literary theory’s features of the materialist, the dialectic and the historical.

关 键 词：文艺反映论 艺术生产论 审美实践论 中国马克思主义文论 

分 类 号：I0[文学—文学理论]