从“自然”到“新自然”--马克思主义自然美理论的新媒介延伸  

From“Nature”to“New Nature”--A New Media Extension of Marxist Theory about Natural Beauty

作　　者：陈海[1] CHEN Hai(Faculty of Liberal Arts,Northwest University,Xi’an,Shaanxi 710069,China)

机构地区：[1]西北大学文学院,陕西西安710069

出　　处：《长江师范学院学报》2020年第1期2-8,121,共8页Journal of Yangtze Normal University

基　　金：国家社会科学基金重大项目“中国当代文艺审美共同体研究”(18ZDA277);国家社会科学基金重大项目“中国新媒介文艺研究”(18ZDA282)、国家社会科学基金艺术学重点项目“网络文艺发展研究”(16AA002)。

摘　　要：建立在"自然人化"基础上的"自然"和自然美理论不仅确立了实践在美学基本理论中的核心地位,而且为我们理解人与自然的关系,进而发现"自然"的人文含义,建设生态文明社会提供了重要理论资源。然而不容忽视的是,当代新媒介引发了人类文化形态的深刻变革,创造了不同以往的"新自然"。与以往的自然不同,"新自然"表现为自然的虚拟化和自然状态的消逝。从美学角度来看,"新自然"呈现出两大审美特征:第一,与现实自然的脱离;第二,呈现出明显的艺术化倾向。"新自然"的出现是马克思主义自然美理论必须回应的新挑战,需要认真思考。The theory of"nature"and"natural beauty"based on"natural humanization"has not onlyestablished the kernel position of practice in the basic theory of aesthetics, but also provided us with impor-tant theoretical resources for understanding the relationship between man and nature, and then discoveringthe humanistic meaning of"nature"and building a society of ecological civilization. However, it cannot be ig-nored that the contemporary new media has triggered a profound change in the form of human culture, creat-ing a different"new nature", which, unlike the past nature, is manifested in virtualized nature and disap-pearance of natural state. From the perspective of aesthetics,"new nature"presents two major aesthetic char-acteristics: first, the separation from reality and nature;second, the obvious artistic tendency. The emergenceof"new nature"is a new challenge that Marxist theory of natural beauty must respond to and need to be giv-en serious consideration.

关 键 词：自然人化 自然 新媒介 “新自然” 

分 类 号：B83-066[哲学宗教—美学]