菅原道真的咏菊诗考述——兼与白居易诗歌的比较  

A Study of Mitizane Sugawara’s Chrysanthemum Poems and Comparations with Bai Juyi’s Poetry

作　　者：刘昱江 徐臻[1] LIU Yujiang;XU ZHen(Southwest Jiaotong University,Chengdu 611756,China)

机构地区：[1]西南交通大学外国语学院,四川成都611756

出　　处：《燕山大学学报（哲学社会科学版）》2020年第2期36-42,共7页Journal of Yanshan University:Philosophy and Social Science

基　　金：2015年教育部人文社科研究一般项目“唐文化圈视域下的东亚‘诗歌互动’研究”(15YJCZH195)的阶段研究成果;2018年西南交通大学青年教师成长项目(2018X050003)的阶段研究成果;2018年西南交通大学大学生创新创业训练计划项目(SRTP)校级项目“菅原道真对白居易诗歌的受容——以《菅家文草》中‘菊’的描写为例”(180816)的阶段研究成果。

摘　　要：菅原道真是日本古代文学史上的重要汉诗人,一生著述颇丰,汉学造诣极高。文章通过对《菅家文草》所载咏菊诗的梳理,分析菅原道真汉诗的情感内涵及艺术特征:思想情感上,执着于在菊诗中展露复杂的内心世界;艺术手法上,善用道教典故,将白菊意象同自身政治理念结合。通过对道真咏菊诗与白居易咏菊诗的比较,认为他们虽在隐逸层面上对菊有相同的认知,但因二者所处社会阶层和所持观念不同,对隐逸思想的接受有一定程度的差异。Sugawara was an important poet of Chinese poetry in ancient Japanese literature history.His life had been written extensively and attained extraodinary achievements in Sinology.By sorting out chrysanthemum poems in Kanke Bunso,this paper analyzes the emotional connotation and artistic features of Mitizane Sugawara’s Chinese poetry,believing that Mitizane’s chrysanthemum poems are closely related to his life experience.Mitizane is obsessed with revealing the complex inner world in the chrysanthemum poem.In terms of artistic techniques,Mitizane uniquely uses the Taoist allusions to combine the image of white chrysanthemum with his own political ideas.By comparing Mitizane’s and Bai Juyi’s chrysanthemum poems,it is believed that they both,with same understanding of chrysanthemum in terms of seclusion,use chrysanthemums to express their feelings and sentimentality for time elapsing.However,because of their different social stratum and point of views,they show different acceptance of seclusion to a certain degree.

关 键 词：菅原道真 《菅家文草》 咏菊诗 白居易 

分 类 号：I106[文学—世界文学]