景观社会的双重异化——试析《景观社会》第一章的“分离”概念  

Double Alienation in the Society of Spectacle——An Analysis on the Concept of"Separation"in the First Chapter of The Society of the Spectacle

作　　者：彭柏林 Peng Bolin

机构地区：[1]复旦大学哲学学院,上海200433

出　　处：《创新》2020年第2期50-61,共12页Innovation

摘　　要：当前社会无疑是一个景观社会,媒介时代才刚刚开始。当代社会批判理论家居伊·德波在分析景观社会和媒介时代的新异化时,着重强调了“分离”的作用方式和表现形态。从马克思等人那里继承而来的“分离”概念,是德波在《景观社会》第一章中描述“景观”的产生和运作机制的基础。分离作为景观的运动机制,作为一种特殊的双重异化,有效批判了生产和消费领域中的碎片化、量化、单向化、颠倒化、媒介化等特征。通过分析分离的作用方式及表现形态,德波揭露了被景观和影像笼罩着的虚假的统一世界,这又为当前马克思主义的社会批判理论提出了新的时代课题。The current society is undoubtedly a spectacle society,and the media age has just begun.The contemporary social criticism theorist Guy Debord emphasizes the mode of action and manifestation of"separation"when analyzing the new alienation of spectacle society and media age.The concept of"sep aration"inherited from Karl Marx and other scholars is the basis for Debord's description of the emer gence and operation of"spectacle"in the first chapter of The Society of the Spectacle.Separation as a movement mechanism of the spectacle and a special double alienation,effectively criticizes such charac teristics as fragmentation,quantification,unilateralization,reversion and media prevailing in the field of production and consumption.By analyzing the mode of action and the manifestation of separation,Debord exposes a false unified world shrouded by spectacles and images.This puts forward a new research topic for Marxist social criticism theory.

关 键 词：居伊·德波 景观社会 分离 异化 统一 

分 类 号：B565.7[哲学宗教—外国哲学]