文学地理景观的古今之别  

The Difference between Ancient and Modern Literary Landscapes

作　　者：费团结[1] FEI Tuan-jie(School of Literature,Shanxi University of Technology,Hanzhong 723000,China)

机构地区：[1]陕西理工大学文学院,陕西汉中723000

出　　处：《太原学院学报（社会科学版）》2020年第1期116-120,共5页Journal of Taiyuan University(Social Science Edition)

基　　金：国家社科项目“文学地理学基础理论问题研究”(13XZW002)。

摘　　要：文学地理景观的描写在古今作家笔下是有所区别的。只有现代人的确立,才能发现现代之风景。不管是巴尔扎克代表的现实主义作家笔下的风景,还是卢梭代表的浪漫主义作家笔下的风景,都是一种不同于古人或传统的现代风景。这种不同,一方面在于产生崇高感的风景与产生美的风景不同,另一方面更在于观看风景的人的不同,人的观念、视角等的不同。现代风景可以说是以主客分离的主体性哲学为基础,高扬作家主体性而生成的风景。Ancient and modern writers describe the literary landscapes in distinctive way.Only modern people can discover the modern scenery.The scenery depicted by realistic writers like Balzac and romantic writers like Rousseau is a kind of modern scenery different from the ancient or traditional one.This difference lies not only in the difference between the scenery that produces the sense of sublime and the scenery that produces beauty,but also in observers,marked by distinctive thoughts and perspectives.Modern landscape is based on the subjective philosophy of the separation of the subject and the object,which is generated by advocating the subjectivity of writers.

关 键 词：文学地理景观 现代风景 现代人 主体性 

分 类 号：I02[文学—文学理论]