情绪记忆的四个心理学维度--从斯坦尼斯拉夫斯基到美国方法派  

Four Psychological Aspects of Affective Memory: From Stanislavsky to American Method Acting

作　　者：何好[1] HE Hao

机构地区：[1]安徽大学艺术学院

出　　处：《戏剧艺术》2020年第2期150-160,共11页Theatre Arts

基　　金：2019年度安徽省教育厅高校人文社会科学研究重点项目“美国方法派戏剧表演理论研究”(项目编号:SK2019A0032)阶段性成果。

摘　　要：情绪记忆是斯坦尼斯拉夫斯基体系中重要的组成部分,它是斯坦尼理论中激发真情实感的具体操作技巧。从莫斯科艺术剧院的排练厅,到纽约的美国实验剧院,再到以同仁剧团艺术家群体为代表的美国方法派,它经历了四次心理学维度上的演变,分别是实验心理学,精神分析,条件反射和行为主义。行为主义心理学是美国方法派在不同文化背景下在情绪记忆问题上对斯坦尼斯拉夫斯基体系的有效继承。Affective Memory is an important part of Stanislavsky System,serving in his theory as a specific operating skill to stimulate true feelings and emotions. From the rehearsal rooms in the Moscow Art Theatre to the American Laboratory Theatre in New York,and to the American Method Acting represented by the artists of the Group Theatre,it has undergone an evolution in four psychological aspects: experimental psychology, psychoanalysis, conditional reflex and behaviorism. This paper attempts to prove that psychological behaviorism is an effective inheritance of the Stanislavsky system by American Method Acting in the issue of affective memory against different cultural backgrounds.

关 键 词：情绪记忆 斯坦尼斯拉夫斯基体系 方法派 实验心理学 精神分析 条件反射 行为主义 

分 类 号：J80[艺术—戏剧戏曲]