论“灵晕”在景观生态学上的启示--以《火山情人》为例  

The Enlightenment of Aura on Landscape Ecology --Taking The Volcano Lover: A Romance as an Example

作　　者：罗翻文 LUO Fan-wen(School of Chinese Languages&Literature,Guangxi University for Nationalities,Nanning 530006,China)

机构地区：[1]广西民族大学文学院,广西南宁530006

出　　处：《兰州文理学院学报（社会科学版）》2020年第3期107-112,共6页Journal of Lanzhou University of Arts and Science(Social Science Edition)

摘　　要：在20世纪30年代初期,机械复制艺术给人类的生活和精神世界带来巨变,为了探索人类的合理生存方式,本雅明开始阐释传统艺术里的"灵晕",在当下的景观生态学建设中,寻求人与自然和谐相处需要探索人与自然的新的交际理性,本雅明的救赎美学带给我们的启示是,通过人与自然的相互注视的审美体验,召唤景观生态的灵晕。In the early 1930 s, great changes were brought into human life and spiritual world by the art of mechanical reproduction. In order to explore the reasonable way of life of mankind, Benjamin began to explain the aura in traditional art. In the current construction of landscape ecology, we try to explore the new communicative rationality between man and nature by seeking the harmony between them. Benjamin’s redemptive aesthetics enlightens us that we could experience the aura of landscape ecology through the aesthetic experience of the mutual gazing between man and nature.

关 键 词：灵晕 景观生态 救赎美学 《火山情人》 

分 类 号：I01[文学—文学理论]