女性主义叙事理论的典型阐释--论托妮·莫里森的《恩惠》和《孩子的愤怒》  

Toni Morrison’s Feminist Narrative Authority: With A Mercy and God Help the Child as Cases

作　　者：王丽丽[1] 杜剑泽 WANG Li-li;DU Jian-ze(Foreign Languages Department,Harbin Engineering University,Harbin 150001,China)

机构地区：[1]哈尔滨工程大学外语系,黑龙江哈尔滨150001

出　　处：《哈尔滨师范大学社会科学学报》2020年第2期121-125,共5页Journal of Social Science of Harbin Normal University

基　　金：2019年度基本科研业务费精品文科项目“福克纳小说中失语的母亲群像研究”(3072019CFW1201);黑龙江省经济社会发展重点研究课题“基于美国主流媒体的中国‘一带一路’的批评话语分析”(WY2018027-A)。

摘　　要：托妮·莫里森多声部的女性叙述声音呈现了黑人女性作家独特的叙事风格。在莫里森的作品中,她融合个人叙述声音、作者型叙述声音、集体型叙述声音打破男性话语权威,赋予边缘群体话语权。个人叙述声音体现了黑人女性种族身份的建构过程,作为个人叙述声音的补充,作者型叙述声音重构了黑人女性的话语权威,集体型叙述声音则言说了黑人的种族历史。Multi-voiced female narrative in Toni Morrison’s novels reveals her unique narrative art. She skillfully combines personal voice, authorial voice and communal voice to break male discourse authority and gives African American women who are in the marginal position the authority to speak. The personal voice helps to unfold African American women’s construction of racial identity. As a complement to the personal voice, the authorial voice reestablishes African American women’s discourse authority. While the communal voice serves the role of telling the racial history of African American women.

关 键 词：女性叙述声音 种族和性别身份 女性话语权威 《恩惠》 《孩子的愤怒》 

分 类 号：I054[文学—文学理论]