“艾拉出走”背后——纳丁·戈迪默小说《我儿子的故事》中的现实关怀  

Behind“Aila’s Left”:Realistic Concern in Nadine Gordimer’s My Son’s Story

作　　者：潘尚瑞 蓝云春[2] Shangrui Pan;Yunchun Lan(School of Humanities,Shanghai Normal University,Shanghai,China;Hanzhou Dianzi University,Hangzhou,Zhejiang,China)

机构地区：[1]上海师范大学人文学院,上海200234 [2]杭州电子科技大学外国语学院,浙江杭州310018

出　　处：《外国语言与文化》2020年第2期17-24,共8页Foreign Languages and Cultures

基　　金：国家社科基金重大项目“非洲英语文学史”(19ZDA296)。

摘　　要：戈迪默在长篇小说《我儿子的故事》中透过一对黑人父子的双重视角叙事,刻画出一位沉默的黑人女性艾拉成长为坚定革命者的生动形象。通过艾拉独具非洲英雄主义的“出走”,戈迪默在写作中展示了南非现实社会对私人生活的干预与影响。艾拉“出走”的背后不仅体现出戈迪默对种族隔离时期南非社会现实的艺术性书写,同时也寄托着她对南非未来发展的现实关怀与解除种族隔离制度的美好希冀。Through the double perspectives of the black father and son,Nadine Gordimer depicted the vivid image of Aila growing from a silent black woman to a determined revolutionary in My Son’s Story.The African heroism“Aila’s Left”reveals the intervention and influence of the social reality on private life in South Africa in Gordimer’s writing.Behind“Aila’s Left”is not only Gordimer’s artistic description of the social reality of South Africa during the apartheid period,but also her realistic concern for the future development of South Africa and her hope for the elimination of apartheid system.

关 键 词：纳丁·戈迪默 《我儿子的故事》 现实关怀 

分 类 号：I478[文学—其他各国文学]