技术图像世界的可能性--试析维兰·弗鲁塞尔的传播艺术与世界构想  

The Feasibility in the Universe of Technical Images:An Analysis on Vilém Flusser’s Communication Art and World Conception

作　　者：卢照[1] Lu Zhao

机构地区：[1]复旦大学新闻学院

出　　处：《艺术设计研究》2020年第3期51-57,共7页Art & Design Research

摘　　要：著名巴西籍犹太媒介哲学家维兰·弗鲁塞尔(Vilém Flusser,1920~1991)在上世纪80年代初凭借著作《向着摄影的哲学》享誉欧洲学术界。此后出版的《进入技术图像的世界》中他又对人类生活的数码技术前景表达担忧。在《传播学哲学》与《再思传播学哲学》等文集中,弗鲁塞尔提出"传播哲学"(Kommunikologie)的理论构想,它指向的是以设计方案(Projekt)的形式对人类共存的美好愿景之可能性进行筹划。在弗鲁塞尔诞辰100周年到来之际,我们发现他仍处在并超前于其理论所面向的时代。本文将对弗鲁塞尔涵盖摄影、艺术、设计等诸多面向的传播哲学及其所构想的世界图景进行考察分析。The famous Brazilian Jewish media philosopher Vilém Flusser(1920-1991)was well-known in European academia in the early 1980s with his book Towards the Philosophy of Photography.In lately published book Into the Universe of Technical Images he expressed concern about the prospects of human life in digital ages.In the collections of Kommunikologie and Kommunikologie weiter denken,he put forward the concept of“Communications”(Kommunikologie),which points to the possibility of a preferable vision of human co-existence in Project of design(Projekt).On the 100th anniversary of Flusser,we found that he still kept abreast with the time,to some extents,beyond his era.This article will give an investigation and analysis on Flusser’s communication theory covering photography,art,design as project,and the world he conceived.

关 键 词：传播哲学 艺术 技术图像 设计伦理 媒介哲学 

分 类 号：J18[艺术—艺术理论]