新发现擦绒·索南伟色《造像量度经》解析  

Remarks on a Newly Discovered Iconography Book from the 13th Century

作　　者：班旦次仁 Paldan Tsering(School of Arts,Tibet University,Lhasa,Tibet 850000)

机构地区：[1]西藏大学艺术学院,西藏拉萨850000

出　　处：《西藏大学学报（社会科学版）》2020年第2期143-149,共7页Journal of Tibet University

基　　金：2018年度西藏大学研究生高水平人才培养计划项目“擦绒·索南伟色《造像量度经》解析”阶段性成果,项目号2018-GSP-083。

摘　　要：西藏勉唐画派鼻祖勉拉·顿珠的《造像量度经》中,引用了一段被认为是元朝帝师八思巴的弟子擦绒·索南伟色所著造像学理论《造像做法智慧之源》的内容。然而直至今日,他所提及的这部论著并未被人发现和研究。近年新发现了两部该书的写本,分别收藏于西藏萨迦寺与不丹国家图书馆。文章通过文本解读和图像对比研究,认为该写本的发现对研究13世纪西藏萨迦派造像风格,以及与中原、印度、尼泊尔、孟加拉、缅甸等国家和地区之间的文化交流史提供了史料证据。ManlhaDungrub,the founder of Manthang Tangkha Painting School,composed an iconography guide⁃book,and it became a reference standard for the later artists.In his guidebook,he quoted words from a text named rteng-sum bzhugs-gnas dang-bcas-pa’i-bzhengs-tshul-yon-tan-‘byung-gnasin Tibetan,which was written by Tsharongba sod-nams-‘od-zer,he was said to be the nephew of SakyaPandita.This text,however,re⁃mained a mystery to art historians.Several months ago,the author luckily acquired two versions of this text respectively from the Sakya Monastery and the National Museum of Bhutan.This article offers a relatively comprehensive interpretation on the two texts by analyzing the texts and comparing the images.The discovery of the texts surely rolls the history of the Tibetan iconography further back in time for 200 years.It is also helpful for the studies of the Tibetan art history and its theories.Meanwhile,it also provides historical evidence for the study of the art style of the Sakyapa School dur⁃ing 13th century as well as the history of the Tibetan cultural exchanges with India,Nepal,Bengal,Myanmar and Central Asia.

关 键 词：西藏艺术 造像艺术 量度经 擦绒·索南伟色 短颈佛 

分 类 号：TJ305[兵器科学与技术—火炮、自动武器与弹药工程] J06[艺术—艺术理论]