“一部自己的《圣经》”、一个“异托邦”--珍妮特·温特森《橘子不是唯一的水果》的另类空间解读  

“A Bible of My Own”, a Heterotopia: On the Other Space in Jeanette Winterson’s Oranges Are Not the Only Fruit

作　　者：王素英[1,2] Wang Suying(School of Liberal Arts,Nanjing University,Nanjing,China(210023);School of Foreign Studies,Hebei Normal University,Shijiazhuang,China(050024))

机构地区：[1]南京大学文学院 [2]河北师范大学外国语学院

出　　处：《当代外国文学》2020年第2期55-61,共7页Contemporary Foreign Literature

基　　金：河北省哲学社会科学基金项目(HB18WW005)的阶段性成果。

摘　　要：当代英国著名作家珍妮特·温特森以其处女作《橘子不是唯一的水果》一举成名。作者将《圣经》作为基础文本纳入小说中,同时又对其作为权力话语的权威性进行挑战和颠覆,书写了"一部自己的《圣经》"。这部温特森"自己的《圣经》"通过童话、传说、梦幻等各种奇幻故事的插入与并置,形成奇幻叙事对现实叙事的多重干预和颠覆,冲击了我们对于"小说"这一概念的认知,并构建出一个包容差异和多样性的奇妙的另类异托邦。这是《橘子》从同时代作品中脱颖而出、一举成功的重要因素。Contemporary British writer Jeanette Winterson rose to fame overnight for her debut book Oranges Are Not the Only Fruit. In this novel, Winterson uses the Bible as a foundational text while challenging its authority as a discourse of power, thus writing "a Bible of My [Her] Own." This "Bible of My [Her] Own" incorporates and juxtaposes fantastic stories such as fairy tales, legends, dreams and hallucinations, thus making repeated intervention in the realistic narrative. It impacts greatly on our understanding of the "novel," and builds a wonderful heterotopia that embraces difference and diversity. This could be one vital reason behind the book’s immediate success.

关 键 词：珍妮特·温特森 《橘子不是唯一的水果》 《圣经》 异托邦 

分 类 号：I561.074[文学—其他各国文学]