美在道情--构筑新时代中华民族的“诗与远方”  

Beauty in the Extraordinary Sentiment of Taoism-Construction of“Poetry and Future”of the Chinese Nation in the New Era

作　　者：李庚香[1] 王滢[2] Li Gengxiang;Wang Ying

机构地区：[1]河南省社科联,河南郑州450002 [2]郑州师范学院马克思主义学院,河南郑州450044

出　　处：《河南社会科学》2020年第7期1-13,共13页Henan Social Sciences

摘　　要：焕新华夏传统的"生生之美",探索中国美学新时代精神特质是中国美学研究的时代任务和使命。中国美学的新时代精神特质在于道情之美。美是道的动静情态,道的动静变化集中展现了美、真、善相连的情态特征。"道情"之美主要表现在"意境""人生境界""化境"三个层面。"道情之美"不仅是情与理的交融、美与善的和谐,而且是情与道的互通。美在道情,主要包括"悟道兴情""合情合理""循道传情"。新时代中国美学的落脚点是人民的"美好生活",即通过奔小康、求健康追求生命之美,求温饱、重环保--遵循生态之美,构建人类命运共同体--创生大同之美,实现万物和谐、美美与共的人类审美化生存,这也是中华民族伟大复兴中国梦的美学指向。The mission of Chinese aesthetic research in the new era is to revitalize the"beauty of life"in the Chinese tradition and explore the spiritual characteristics of Chinese aesthetics,which lies in its extraordinary sentiment.Beauty is the dynamic and static modality of the Tao,which collectively shows the characteristics of the modality connecting beauty,truth and goodness.The beauty in the extraordinary sentiment is mainly expressed in three levels:artistic conception,sublimity,and realm of life.It is not only the blending of sensibility and rationality,the harmony of beauty and goodness,but also the intercommunication of emotion and Tao.The spiritual core of constructing the Chinese aesthetic theory is"beauty in the sentiment",which mainly consists of"enlightenment and prosperity","reasonableness",and"following and passing on the principles".The Chinese aesthetics in the new era rests on people’s"better life",which is to build a community of human destiny and achieve aesthetic survival by seeking prosperity,health,and environmental protection.To create the beauty of the world’s great harmony and to realize the human aesthetic survival of the harmony of all things are also the aesthetic direction of the great revival of the Chinese dream.

关 键 词：美在道情 中国美学 美好生活 中国梦 

分 类 号：I01[文学—文学理论]