意象的双重性  

On the Twofoldness of Imagery

作　　者：彭锋[1] Peng Feng

机构地区：[1]北京大学艺术学院、美学与美育研究中心,北京100871

出　　处：《中国文学批评》2020年第3期29-36,157,共9页Chinese Journal of Literary Criticism

摘　　要：双重性是沃尔海姆用来分析对绘画的视觉经验的理论。根据沃尔海姆的研究,我们对绘画的视觉经验是由对象的意识和对媒介的意识二者共同构成的。沃尔海姆所说的绘画对象与媒介,与叶朗所说的诗歌的辞情和声情具有类似关系。如果说对象与媒介构成绘画的双重性的话,辞情与声情就可以构成诗歌意象的双重性。中国诗歌的魅力,就在于辞情与声情之间的意象,以及辞情与声情之外的意境。Twofoldness is the theory used by Richard Wollheim to analyze the visual experience of painting.According to Wollheim,our visual experience of painting is composed of the consciousness of the object and that of the media.The object and media in painting mentioned by Wollheim are similar to the“verbal sense”and“vocal sense”proposed by Ye Lang.The charm of Chinese poetry lies in the imagery within verbal and vocal senses between the“sentiment of words”and the“sentiment of sounds”,as well as the artistic conception beyond them.

关 键 词：双重性 意象 意境 辞情 声情 

分 类 号：I0[文学—文学理论]