《西游记》神佛世界折射的世态人情及艺术表现手法  

Journey to the West:Reflections of the Human Nature in the World of God and Buddha and Its Artistic Techniques

作　　者：平燕[1] 陈光锐[1] 鄢二星 PING Yan;CHEN Guangrui;YAN Erxing(Department of Basic Education,Chuzhou Vocational and Technical College,Chuzhou 239000,China;School of Marxism,Suzhou University,Suzhou 234000,China)

机构地区：[1]滁州职业技术学院基础部,安徽滁州239000 [2]宿州学院马克思主义学院,安徽宿州234000

出　　处：《宿州学院学报》2020年第7期53-56,共4页Journal of Suzhou University

基　　金：滁州职业技术学院优秀骨干教师项目(YG2019014);安徽省高等学校大规模在线课程(MOOC)示范项目(2018MOOC176)。

摘　　要：《西游记》比照凡间封建政体和社会生活,构架起全书庞大的仙佛神妖体系及错综复杂的关系网络。书中无论高居天国、法力无边的神圣仙佛还是深藏洞窟、诡计多端的魔妖精怪,无不展示出普通人性中的贪顽嗔痴、喜怒哀乐等可爱可憎可笑的人间烟火气息。神界妖界内部以及两界之间,处处充满红尘江湖中司空见惯的等级、算计、压迫、争斗,以致本应尽善尽美的神圣天国与凡尘俗世并无两样。《西游记》这种"魔幻现实"的神奇构思和凡仙混搭的戏谑手法,意在言外地传达出作者对现实人生和社会问题的思考与探索。Compared with the feudal political system and social structure,Journey to the West constructs a huge system of immortals,Buddhas and Demons and a complex network of relationships.In the book,no matter the sacred Buddha who lives in heaven and has boundless power,or the demons and goblins who are deep in caves and have many tricks,all show the lovely,hateful and ridiculous atmosphere of human beings,such as greedy,stubborn,angry,sad and happy.In the world of gods and demons,there are common levels,calculations,oppressions and struggles.As a result,the kingdom of Buddhas and immortals,which should have been perfect and holy,has become no different from the ordinary world.The magical conception of"magic reality"and the banter of fairy tales in Journey to the West convey the author′s thinking and exploration of real life and social problems.

关 键 词：西游记 神佛世界 世态人情 

分 类 号：I207.419[文学—中国文学]