朱仙镇木版年画的文化基因研究  

Research on the Cultural Genes of Zhuxian Town's New Year Woodcut

作　　者：王庆贺[1] WANG Qinghe(School of Ethnology and History,South-central University for Nationalities,Wuhan 430074,Hubei,China)

机构地区：[1]中南民族大学民族学与历史学学院,湖北武汉430074

出　　处：《铜仁学院学报》2020年第4期56-67,85,共13页Journal of Tongren University

基　　金：国家社会科学基金重大项目“南方少数民族手工艺资源体系与基因要素图谱研究”(17ZDA166)。

摘　　要：在长期的创作实践中,匠人们建立了娴熟的制作工序,并塑造了朱仙镇木版年画独特的艺术风格。受门神信仰、年俗和中原文化影响,匠人们创作出门神画、神像家堂画和戏剧故事画等独具地方性特征的年画类型。历史的积淀使技艺和图案凝结成为朱仙镇木版年画的文化基因,并借助雕版、艺诀和老字号作坊等媒介,通过家传、师传等形式进行传递。交通、工匠流动和受众审美情趣对朱仙镇木版年画基因的传递产生重要影响。In the long-term creative practice,the craftsmen have established a skilled production process and shaped the unique artistic style of the Zhuxian Town’s New Year woodcut pictures.Affected by the beliefs of door gods,the customs of the New Year and the culture of the Central Plains,artists create New Year paintings with unique local characteristics,such as door god paintings,god statue paintings and drama story paintings.The accumulation of history has condensed skills and patterns into the cultural genes of Zhuxian Town's New Year woodcut pictures,and they are passed on through imparting of families and teachers with the help of media such as engraving,art and time-honored workshops.Traffic,the flow of artisans and the aesthetic appeal of the audience have an important influence on the transmission of the genes of the New Year woodcut pictures in Zhuxian Town.

关 键 词：朱仙镇木版年画 文化基因 基因传递 

分 类 号：C952[社会学—民族学]