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作 者:郭鹏飞 Guo Pengfei(Center for Literary and Aesthetic Studies,Shandong University,Jinan 250100,China)
机构地区:[1]山东大学文艺美学研究中心,山东济南250100
出 处:《黑河学院学报》2020年第8期25-28,共4页Journal of Heihe University
摘 要:康德批判先验的理性心理学认为,心理学是经验性的、应用的,将其视为建立在道德原则之上的内感官的人类学,在把心理学从形而上学中驱逐出去的同时,保留了其在道德与社会领域中发挥作用的可能性。情感作为审美共通感的心理机能,虽然建立在先验原则之上,是诸认识能力相称的产物,但在人类社会中不可避免地带有某种经验性的兴趣,并需要借助天才创作美的艺术得到经验性的显现。康德正是通过这种内省研究人的方法,证明了鉴赏力作为一种共通感意味着人具备道德素质,从而,实现了感性魅力到道德兴趣的过渡。这种研究方法对后来心理学美学的发展产生了重要的影响。According to Kant’s criticized transcendental rational psychology,psychology is empirical and applied,and should be regarded as the anthropology of inner sense based on moral principles.While expelling psychology from metaphysics,he keeps the possibility of playing its role in moral and social fields.Emotion,as the psychological function of aesthetic commonality,is based on the transcendental principle and is the product of the corresponding cognitive abilities;however,in human society,there is inevitably some kind of empirical interest,so it needs to be manifested empirically by virtue of the art of genius creation.It is through this introspective way of studying people that Kant proves that taste,as a kind of commonality,means that people have moral qualities,thus realizing the transition from emotional charm to moral interest.This research method has an important influence on the later development of psychological aesthetics.
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