后多元文化主义时代中国多民族文学批评理论刍议  

On the Chinese Multinational Literary Criticism Theory in the Post Multiculturalism Era

作　　者：傅钱余[1] FU Qian-yu(School of Literature,Chongqing University of Arts and Science,Chongqing 402160,China)

机构地区：[1]重庆文理学院文化与传媒学院,重庆402160

出　　处：《内蒙古社会科学》2020年第5期151-157,共7页Inner Mongolia Social Sciences

基　　金：教育部哲学社会科学研究重大课题攻关项目“文艺评论价值体系的理论建设与实践研究”(编号:15JZD039)。

摘　　要：后多元文化主义自20世纪90年代兴起,并在21世纪渐成高潮。它强调文化的共通性、交融性、层次性、复杂性,质疑多元文化理念加大了差异、固化了族群、强化了文化冲突、僵化了社会流动。在此视角下,发现了当前多民族文学批评对“民族”的单一化理解、对“差异”和“民族”的过度强调。因此,有必要转换立足点,探索一种新的研究范式。这种范式应该具备更切实的理论观、更宏阔的视野、更准确的定位、更可行的方法、更多维的问题意识以及更多元动态的价值标准。Post multiculturalism emerged in the 1990s and has gradually become a climax since the 21st century.It emphasizes the commonness,blending,hierarchy and complexity of culture,and questions the concept of multiculturalism,which enlarges differences,solidifies ethnic groups,strengthens cultural conflicts and fossilizes social mobility.From this perspective,it is found that the current multi-ethnic literary criticism has a single understanding of nationality and overemphasized difference and nationality.Therefore,it is necessary to change the foothold to explore a new research paradigm.It should have more practical theoretical view,broader vision,more accurate positioning,more feasible methods,more dimensional problem awareness and more dynamic value standards.

关 键 词：多元文化主义 后多元文化主义 民族文学理论 多民族文学史观 

分 类 号：I0[文学—文学理论]