对理查德·沃尔海姆艺术观点的阐释和理解  

Interpretation and Understanding of Richard Wollheim’s Artistic Viewpoint

作　　者：赵树军[1] 陶雯静 ZHAO Shu-jun;TAO Wen-jing(Yunnan Minzu University,Kunming 650031,China)

机构地区：[1]云南民族大学,昆明650031

出　　处：《红河学院学报》2020年第5期94-98,共5页Journal of Honghe University

摘　　要：理查德·沃尔海姆(1923-2003年)是英国分析美学家、哲学家。他对分析美学的核心问题即艺术定义进行重新思考,提出了艺术品即物理对象假说。通过对艺术品即物理对象假说的分析,沃尔海姆引申出对艺术的再现性和表现性问题的再思考。他通过对艺术品即非物理对象的分析,推导出一系列理论结论,诸如艺术的理想理论、艺术的表象理论,艺术的标志物、类型、种类和共相的关系等。文章主要探讨沃尔海姆关于艺术定义的理论问题。Richard Wollheim(1923-2003)is a British analytical philosopher and esthetician.He reconsidered the core issue of analytical aesthetics,namely the definition of art,and put forward the hypothesis that art is physical object.Through the analysis of the hypothesis that art is the physical object,Wollheim extended his rethinking on the reproduction and expressiveness of art.Through the analysis of works of art,that is,non physical objects,he deduces a series of theoretical conclusions,such as the ideal theory of art,the representation theory of art,the symbol,type,type and common relationship of art.This paper mainly discusses the theoretical problems of Wollheim’s definition of art.

关 键 词：物理对象假说 再现性 表现性 

分 类 号：I01[文学—文学理论]