帕穆克小说《我的名字叫红》中的文化观  

An Analysis of Pamuk's Cultural View in My Name Is Red

作　　者：高华 GAO Hua

机构地区：[1]山东科技大学马克思主义学院,山东青岛266590 [2]南开大学文学院,天津300071

出　　处：《外国语文》2020年第4期59-64,共6页Foreign Languages and Literature

基　　金：青岛市社会科学规划办项目“帕慕克小说中的女性形象研究”(QDSKL1601123);山东科技大学公派境外访学项目的阶段性成果。

摘　　要：英国作家伍尔夫认为,女人要想真正获得独立,必须有"一间自己的房间"。在帕慕克的小说《我的名字叫红》中,女主人公谢库瑞是一个没有自己"房间"的女性,她一直在努力寻找构建自己的"房间"的可能性,但是在这个过程中,她却无法与"他者"的"房间"达成和谐的沟通。帕慕克从女性的"房间"以及女性生存空间问题去观照东西方文化之间的差异与共存问题,用谢库瑞这一形象隐喻在东西方的对话空间中失去了自我空间的土耳其。他以谢库瑞这一形象思考不同文化的生存空间、东西方文化间二元对立的消解以及建构"杂合"的理想世界等问题。Woolf,an English writer,believed that if a woman wanted to be truly independent,she must have"a room of her own".In My Name is Red of Pamuk,Shekure is a woman without her own"room".She has been trying to find the possibility of building her own"room",but in the process,she cann't coexist with others’room.Pamuk pays close attention to the differences between women’s"rooms"and women’s living space,and the problem of coexistence between Eastern and Western cultures.And he metaphorize Shekure into Turkey which lost its self-space in the conversition between the East and the West.With the help of the image of Shekure,Pamuk expresses his thoughts on the existence of"space"of different cultures,the dissolution of dualistic opposition between Eastern and Western cultures,and the construction of a"hybrid"ideal world.

关 键 词：帕慕克 “房间” 空间 谢库瑞 文化杂合 

分 类 号：I561.074[文学—其他各国文学]