三位一体打造中式书籍设计的柔性物感  

Trinity to Create the Flexible Sense of Chinese Book Design

作　　者：张容容[1] ZHANG Rong-rong(Art and Design Department,Guangzhou City Polytechnic,Guangzhou 510405,China)

机构地区：[1]广州城市职业学院艺术设计系,广东广州510405

出　　处：《广州城市职业学院学报》2020年第3期92-96,共5页Journal Of Guangzhou City Polytechnic

基　　金：广州市知识产权试点学校项目(合同编号:穗市监知促合[2019]25号;承担单位:广州城市职业学院)。

摘　　要：自新文化运动以来,中国书籍设计一直在传统与现代性表现中求发展。文章借用“物感说”理论,从立体设计书籍的角度提出如何更深层次地塑造具有中国文化“柔性”精神的物感表现。通过分析柔性物感产生的根源及当下品质,尝试探究其在书籍编辑设计、装帧设计、编排设计三位一体中的呈现方式。Since New Culture Movement,Chinese book design has been developing in the expression of tradition and modernity.Based on the theory of"sense of things".This paper puts forward how to shape the sense of things with Chinese cultural"flexibility"in a deeper level from the perspective of three-dimensional design books.By analyzing the origin and present quality of flexible material sense,this paper attempts to explore its presentation mode in the Trinity of book editing design,binding design and layout design.

关 键 词：书籍设计 物感 中国传统文化 中式 

分 类 号：TD211[矿业工程—矿井建设]